Exhibitions from Ancient Greece to Arte Povera
(ANSA)
- Rome, March 26 - Italy has a magnificent selection of important
exhibitions opening over the weekend, including 'Kandisky: the artist
as shaman' in Vercelli, Piedmont. The show includes abstract
masterpieces from St. Peterburg's Hermitage collection, which
retraces Kandinsky's unsurpassed creative growth. Also opening is
Milan's 'Piero Manzoni', the inventions and unsettling provocations
of the artist in commemoration of 50 years since Manzoni's
death.
Meanwhile,
Rome inaugurates 'Classic Antiquity and Europe: the fate of Greece
and Rome', an exhibition dedicated to Greece and Rome at the Palazzo
del Quirinale, and in Padua, the display 'Padua is its walls',
follows five centuries of the northeastern city's development since
the construction of the city's walls.
But
one of the most closely watched will be the Vercelli exhibition which
runs from Saturday to July 14 and offers a journey into abstraction
and spirituality of Wassily Kandinsky, on display in Vercelli's 14th
century Church of St. Mark.
Fully
22 pieces by the Russian artist, one of the undisputed protagonists
of the twentieth century, come from the prestigious St. Petersburg's
Hermitage and illustrates Kandinsky's complex internal journey in
abstract language during 1911. In his book "The Spiritual in
Art" published in 1911, Kandisky argued that through color,
shape, their combination and rhythm of the composition, it was
possible to express the moods and emotions caused by the outside
world as well as by the profound impulses of the human spirit.
Essential to Kandinsky's formation was the time he spent in Vologda,
Siberia, where as part of an ethnographic research group, he explored
the life, customs and economy of the Sirieni, a small ethnic group to
which the artist devoted several scientific articles. There, on the
outskirts of civilization, Kandinsky also encountered ancient
shamanic rituals, from which his deep spirituality was strongly
affected, and he began to consider leaving his research to embrace
art. Among the masterpieces featured in the exhibition are
Kandinsky's first symbolist landscapes, large canvases from the
Murnau period, masterpieces side by side with works from contemporary
masters, as well as an extraordinary group of ritual objects and
polar, shamanic traditions (on loan from the Sergio Poggianella
Foundation) practiced in the remote and decimated regions of
Siberia.
Milan's
Royal Palace commemorates Piero Manzoni, 50 years after his death, in
a magnificent exhibition that continues through June 2. More than 100
works of art retrace his short but intense life, which ended when a
heart attack struck him down in his studio in Milan at the age of 29.
In those few years, however, Manzoni had a succession of creations
and provocations, culminating with the famous "Merda d'Artista"
(Artist's Shit), that decisively influenced future generations of
artists. The current exhibition begins with Manzoni's early works,
dark brown-toned paintings sprinkled with small imaginary forms,
which he subsequently abandoned for Achromes, all-white paintings
made of layers kaolin, a soft white clay, on canvas. Achromes were
followed by series of artificial Achromes, made of cotton padding,
fluffy fiberglass and kaolin-covered bread rolls. Manzoni also
created "Artist's Breath", the artist's inflated balloons,
"Edible Sculpture", eggs signed with Manzoni's thumbprint,
as well as "Living Sculptures", where Manzoni signed people
and "Lines", ink traces on paper rolls of varying length.
From March 29 to July 15, Rome's Quirinale Palace is host to 'Classic
Antiquity and Europe: the Fate of Greece and Italy', an exhibition
celebrating the role of the two ancient empires.
It
comes as 2014 marks Greece and Italy's back-to-back European Union
presidencies, with Greece holding the rotating title from January 1
to June 30 and Italy from July 1 to December 31. Twenty-five works
from Greek and Italian museums will be displayed in the Quirinale's
Hall of Ramps and Halls of Flags in an exhibition curated by Louis
Godart, director for the Conservation of Artistic Heritage of the
Italian President.
Celebrating
the 500th anniversary of the construction of Padua's historic city
walls, integral to the city's identity, is the exhibition 'Parma is
its walls'. The major exhibition reconstructs half a millennium of
Parma wall history through archaeological finds, artifacts, weapons
and instruments of war, drawings, engravings, rare books and
paintings, as well as specially-made reconstructions in models,
videos, etc. The exhibition's goal is to showcase and celebrate the
walls, and bring the important structures back to the forefront of
cultural debate on the city's future, not just as a planning concern,
but as resource and identity-making hub. The exhibit is on display
from Saturday to July 20 at the Eremitani Civic Museums.
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